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    Penny Klepuszewska’s Living Arrangements takes an intimate look at old age and isolation through a series of still life photographs in which a painterly light caresses the treasured possessions of her subjects.

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    Rise and Fall by Matthew Andrew juxtaposes large scale colour images of archaeological digs and supercomputers to draw attention to a subterranean latency of meaning both in the sites he photographs and in the photographic image itself.

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    Claire Waffell explores her relationship with her grandmother through Close Family, a series of staged and archetypal portraits, and Inventory, a video journey through her grandmother’s house in which memory and reality collide.

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    In Farm, Betsie van der Meer revisits the abandoned farmhouse in which she grew up in an uncanny evocation of a childhood in which rooms and objects are saturated with the shifting and slippery significance of dreams.

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